Multitasking: the Creative Life at Work
I sat at the spinning wheel. Grey afternoon light fell through the window behind me. The spinning wheel clicked gently as I moved my foot up and down. Pinch the wool. Draw. Release.
Besides the clicking, the log cabin was quiet. Faint traces of wood smoke lingered, but the hearth was growing colder. With no one else around, I let my mind wander.
Pinch. I hope they’re taking care of him. I wonder if he misses me. I wish I was there—I should be there. Draw. It’s meant to be me. I trust Mairi, but it’s meant to be me.
He’s my son.
Ha! Startled some of you, I bet.
So, here’s what is happening. I think the Victorian Dark Fantasy is starting to gel. The novel has changed throughout Stonecoast—I think the plot’s getting there, now I’m bearing down on voice and character. To help with this, my thoroughly brilliant mentor posed me an interesting challenge:
One thing you might want to do, and this will sound less strange to you as a playwright than to other people, is to go around being each of the main female characters for a while, and do things the way they would do them. How do you feel as those characters? How do you walk and talk?
I laughed in delight upon reading this. So…I thought, grinning, I spend most of my days wearing period-appropriate clothing, doing period things…
Plus…I kind of stole half our buildings.
Heck, I can reconstruct entire scenes in these buildings, mapping out exactly where this character was standing, where that one paused before coming around the corner. It’s like being on a movie set.
So…I have the right clothing (mostly—for two of them, I really need a crinoline, and I only wear that in the brewery), I’m doing the right things, and I’m in the right place. Sometimes, it’s almost a little disorienting.
It’s also taught me a lot.
I’ve always talked with my characters. Usually as mental knitting—on the bus, while walking, during quiet times at work. Just relaxing, asking questions, hearing what the response is. Sometimes full-on conversations develop; Serafine, for instance, rarely shut up once she got going.
It’s one thing to invite a character into your head. Thus far, it’s been quite another to invite them into your skin. Really, really cool, but different. Because this way, I’m not guiding the discussion. I’m not prompting anything. I’m essentially retreating to the sidelines and seeing how my characters assert themselves once they have the space and freedom to do so.
- One worries far more than she lets on; she’s clinging by her fingertips.
- In another time, place, and culture, one could be a geek girl. As it is, she’s sensitive, carefully (and constantly, my God!) analyzing and observing.
- And the last POV character…I don’t think I ever really understood the depths of her possessiveness, her sense of entitlement.
My circumstances definitely give me a leg-up, but it’s also interesting to take characters on field trips. Point out a streetcar, stop in a grocery store. What do they think, how do they react to this world so unlike their own?
It’s been fun—and I still love working on this story, still love exploring these people and their lives. Even after so long (yeah…longer than I anticipated…) the joy hasn’t ebbed.
Let’s just hope that I never, ever answer visitors as my villain.
Actually, that’d be hilarious.
I’ll be good. 😉
Cool Thing of the Week
So, there’s the solar system, right? Then our galaxy, then our “local group” of galaxies, then our galaxy cluster, then our supercluster…and then the filaments.
The thought makes me shiver. So many stars and worlds, so much void between them…
More than anything, it makes me want to write.
Posted on June 14, 2014, in Writing and tagged Advice, awesome, Black Creek, Community, creativity, Edits, fantasy, geek, History, Interpretive rants, KT Bryski, musings, Nostalgia, Plans, science fiction, steampunk, stories, Student life, Victoriana, writer, Writing, Writing life. Bookmark the permalink. Leave a comment.