Writing “Weird Af” Fiction
Six Stories, Told at Night released its first episode yesterday! If you’ve heard it, you’ll know that it’s a strange sort of hybrid piece: it’s sort of like an audiobook, but it’s really more a one-woman play, and it’s really comprised of six discrete short stories, while simultaneously being one cohesive whole…
It’s weird. It’s wonderful, and I think we’ve hit on a really interesting form of audio fiction, and also, it’s weird.
Which is fine—I’ve joked that Submissions Grinder needs to develop a filter for fiction labelled “weird af,” since that seems to be what I write. Not intentionally, necessarily—it’s just that with every story, you need to find the best (or often, only) possible way to tell it.
Look at Six Stories: the story that emerged—this story of Sam and Joëlle, of loss and friendship—was always meant to be voiced by one person. That’s what it demanded—this story of stories within stories.
So, cool. An audiobook with extra bells and whistles, a straight read supplemented with sound effects. Right?
It IS a story that absolutely must be performed aloud. It loses a layer of meaning if you’re reading it on the page, the same way that scripts only spring to life when you get them on their feet. And I choose my words very carefully: performed aloud, not read aloud. There’s a difference in energy and intention. It’s subtle, but it’s there:
“If this was a regular stage play,” I told Blythe, “it’d be black-box studio theatre, with a minimalist set.”
“I treated it like I was onstage,” Blythe told me, after. “It was different than Heartstealer.”
So. Not quite an audiobook. But not quite a conventional audio drama, either. Basically, I took that lovely taxonomy I developed at Stonecoast and threw it out the window. We have something new, I think. A weird, hybridized, emergent art form.
Because that’s how this particular story must be told.
We instinctively make these choices when we start noodling ideas. Is it a play, or prose? Short story or novel? First person or third person? Linear timeline, or jumping all over the place?
Sometimes we only find out by writing. Sometimes we change our minds halfway through. Sometimes we change our minds at the very end, when we’ve given the draft a cold, hard look.
In the end, though, it always falls to the demands of that particular piece. “This is the only way I could think of to tell this story,” is a perfectly valid reason for making certain artistic choices.
Even when they’re weird af. 😉
What I’m Listening to This Week
Posted on August 15, 2016, in Writing and tagged audio drama, audiobook, Blythe Haynes, Canadian, creativity, fantasy, geek, KT Bryski, plays, podcast, Podcasting, stories, writer, Writing, Writing life. Bookmark the permalink. Leave a comment.