Blog Archives

Writing “Weird Af” Fiction

Six Stories, Told at Night released its first episode yesterday! If you’ve heard it, you’ll know that it’s a strange sort of hybrid piece: it’s sort of like an audiobook, but it’s really more a one-woman play, and it’s really comprised of six discrete short stories, while simultaneously being one cohesive whole…

It’s weird. It’s wonderful, and I think we’ve hit on a really interesting form of audio fiction, and also, it’s weird.

Something like that...

Something like that…

Which is fine—I’ve joked that Submissions Grinder needs to develop a filter for fiction labelled “weird af,” since that seems to be what I write. Not intentionally, necessarily—it’s just that with every story, you need to find the best (or often, only) possible way to tell it.

Look at Six Stories: the story that emerged—this story of Sam and Joëlle, of loss and friendship—was always meant to be voiced by one person. That’s what it demanded—this story of stories within stories.

So, cool. An audiobook with extra bells and whistles, a straight read supplemented with sound effects. Right?

It IS a story that absolutely must be performed aloud. It loses a layer of meaning if you’re reading it on the page, the same way that scripts only spring to life when you get them on their feet. And I choose my words very carefully: performed aloud, not read aloud. There’s a difference in energy and intention. It’s subtle, but it’s there:

“If this was a regular stage play,” I told Blythe, “it’d be black-box studio theatre, with a minimalist set.”

“I treated it like I was onstage,” Blythe told me, after. “It was different than Heartstealer.

This would've needed a whole other grant... (Image: Wikimedia Commons)

Here’s the idea, if we had a whole other grant…
(Image: Wikimedia Commons)

So. Not quite an audiobook. But not quite a conventional audio drama, either. Basically, I took that lovely taxonomy I developed at Stonecoast and threw it out the window. We have something new, I think. A weird, hybridized, emergent art form.

Because that’s how this particular story must be told.

We instinctively make these choices when we start noodling ideas. Is it a play, or prose? Short story or novel? First person or third person? Linear timeline, or jumping all over the place?

Sometimes we only find out by writing. Sometimes we change our minds halfway through. Sometimes we change our minds at the very end, when we’ve given the draft a cold, hard look.

In the end, though, it always falls to the demands of that particular piece. “This is the only way I could think of to tell this story,” is a perfectly valid reason for making certain artistic choices.

Even when they’re weird af. 😉

Six Stories Cool

-KT

What I’m Listening to This Week

Six Stories. Of course. Shameless plug, but the music is really, really good. Alex White composed a piece that captures this story in a nutshell, and Canadian soprano Ellen McAteer nails the vocals.

Cover Reveal and Podcast Announcement!

Cover reveal and podcast announcement! Huzzah!

Our new audio drama, Six Stories, Told at Night releases soon—Episode 1 should drop on Sunday, August 14th. There will be links aplenty once that happens, rest assured.

Six Stories, Told at Night has been generously funded by the Ontario Arts Council. What does this mean? It means that, after years of podcasting on a shoestring, I could finally afford to do things properly. Custom music, pro rates for voice talent (an actor AND a singer, oh my), and a gorgeous cover image.

Would you like to see this gorgeous cover image?

Of course you would.

It’s designed by Starla Huchton, after all.

Here it is:

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SixStories_full

 

I am so incredibly grateful to the Ontario Arts Council. Someone, please correct me if I’m wrong, but I think I’m the first fantasy podcaster to receive government funding? While that’s neat for my ego, it’s also highly encouraging.

You guys, the government funded an independent podcast. Not only that, the government funded an independent fantasy podcast.

Ten years ago, not many people knew what a podcast was. Not many people outside the community took them all that seriously. While podcasts have since grown more mainstream, this feels incredibly validating. It reaffirms that yes, podcast fiction is legitimate art. It shows that podcasts have changed the way we tell stories—maybe not quite the way we all imagined ten years back, but nevertheless.

We've come a long way from that USB headset mic.

We’ve come a long way…

And it reaffirms the legitimacy of speculative fiction outside its community. For those keeping score at home—earlier this year, a straight-up fantasy story about cannibal ice monsters won the largest short story contest in Canada. Now Six Stories and its fairy tales contribute to the arts in Ontario. It makes me feel very honoured, very blessed, and very humbled.

It’s been a wild ride. Blythe sounds phenomenal, of course—I think this may be my favourite vocal performance from her. I can’t wait to show you what we’ve been working on. See you next Sunday!

-KT

What I’m Listening To This Week

So here’s how I do this: I literally just find whatever song has been most played on my iPod over the past week. That’s it.

So….

More Hamilton.

Sorry. Not sorry.

This song has acquired a very special poignancy for me. Music starts at 1:04.