Blog Archives

Spring Cleaning on the Site!

You may notice this site looks different.

Oh man, this overhaul was so incredibly overdue. I’d not been happy with this blog for…well, too long. The tipping point came when I looked at the banner on Tee’s site and realized, “Wait a second – I know how to do that now. I could do that!” The roomies and I attacked our house pretty good for spring cleaning, so why not go after my online home the same way?

Besides, I figured it was about time to think about the future, and this site was looking a little antiquated. You guys, I’ve been blogging here since I was twenty. I’m 23 in a few months. Also, while I tend to start adding a year onto my actual age about three months before my birthday, this year has been worse – in my head, for reasons unknown, I’m suddenly 24. Because I’m crotchety like that.  I know that if I say, “I’m getting old,” I will be smacked six ways from Sunday…but time is passing. I’m getting older (happy?).

See, I simultaneously never grew up...

Inside, I’m simultaneously the kid who never grew up…

 

..and this.

So I sat down and had a good think. And also, some ginger slice. What directions am I moving in now? What are my plans for the rest of 2014? What do I want to write?

I keep coming back to the Victorian Dark Fantasy. Ye gods, I had SO MUCH FUN writing that. I’m having SO MUCH FUN editing it. And then, there are vague stirrings of another Victorian-ish world rumbling ’round the back of my head; something set in Magical 1870s Toronto. And then, there’s the steampunk….

So I think we can safely say that Victorian-flavoured fantasy is a persistent preoccupation for me. Bearing that in mind, I started looking for cool fonts (Tales from the Archives has its own font; I wanted one, too!).

Looking through them all…I imagine it was very much like when normal people go dress-shopping. I got to try on all sorts of different ones, searching for the one that felt right, the one that said…me. Or KT Bryski. Either way.

I liked this one. See, isn’t it cool? Also, while it’s wayyyyy too early to make anything like these…I made these. The Victorian Dark Fantasy makes me too excited.

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Because that’s not creepy at all…

 

Even though 2013 was a lost year in my books, I still did some things, and those also needed to be recognized. I have a handy Fiction page now, which I’ve updated to include things besides Hapax. I’ve sold three short stories! And…erm, I’ve only ever written three short stories…

Um.

Which means that more short fiction is on the books (heh) for 2014 as well. The more I do it, the more I like it, and I’d like to have more than three in my repertoire. Doesn’t matter if my streak continues (and it won’t – my supply of horseshoes is going to run out eventually), I’d just like the experience of having written them.

Plus, over the past two years, I’ve started doing other stuff. It’s important, I think, for us to remember the things that don’t fit in the usual box we assign ourselves. I write a beer blog. I do freelance editing (for reasonable rates!). Apparently, I write opera libretti and games. Yeah, I was a wee bit surprised by that, too. One of my big fears of leaping into writing so early was that I’d have one story in me – flash in the pan, young author, didn’t live up to her potential.

Who knows? But right now, I feel stable and supported, and I’m raring to go. The last of the winter detritus has been swept away, and this weekend is kind of about rebirth anyway, right?

Let us spring forth!

-KT

 

 

 

 

 

“Go away, I’m reading!” DAWN’S EARLY LIGHT and Me

Between two internships, Stonecoast, and my own writing, it’s been a busy week. And it’s only going to get busier, because DAWN’S EARLY LIGHT is out on Tuesday!

I haven’t been this excited (or this obsessive) since the release of HAPAX.

dawnsearlylight

About halfway through my stay in Virginia, Pip and Tee tossed me an ARC and said, “Yeah, you should probably read that.” Now, I’d been eyeing the giant flipping box of ARCs in the basement since the day I arrived, but I was too nervous to ask for one. But once it was in my eager little hands, I settled myself on the couch with a contented sigh.

“Whoa,” Tee said at one point, peering over. “You’re tearing through that.”

“Mm-hmm.”

A while later, he cleared his throat. “So—let’s get back to InDesign. We can set up the templates for WEATHER CHILD.”

Or something like that. Eliza was enjoying her first real taste of American “hospitality,” which happened to involve a fight scene, and it was very exciting. I wasn’t really listening.

Tee sighed. “Here, what page are you on? Ok. When you finish that chapter, we’ll go down.”

“But—”

“Don’t make me take that book away, young lady!”

So I finished the chapter and closed the book with a dramatic, exaggerated sigh. Of course, I was happy to do more layout work—I’d never actually be obstinate with my hosts and mentors. But still…those first five chapters had woken a weird, persistent itch. I’d left Eliza contemplating a new revelation, and she and Wellington needed to actually communicate with each other because the tension between them was driving me slowly but surely mad, and I was very aware of mines planted in earlier chapters that were waiting to go off later in the plot (metaphorical mines—it’s always a good idea to specify when dealing with Eliza D. Braun).

I needed to read more.

This one is mine. Get your own copy!

This one is mine. Get your own copy!

After dinner, instead of writing, I settled on the couch again. It was lovely and quiet, with Pip and Tee tapping at their own laptops and Sophia del Morte watching and plotting.

“Hey Katie, where are you now?”

I’m reading!

The next day found me back in the same spot. Pip was writing on the couch opposite me. Suddenly, I stopped reading with a gasp. I put the book down and gaped at Pip.

You guys had Edison [PLOT POINT REDACTED]?!”

She flashed a guilty smile.

There was another book that I was meant to be reading for Stonecoast. This is where I’m responsible, set DAWN’S EARLY LIGHT aside, and do my schoolwork, right?

Heck no! This is where I email my mentor saying, “Hello! I know you wanted me to write an imitative annotation this month…but can I write one on this book instead??”

Fortunately, she said yes. Which means that DAWN’S EARLY LIGHT was used in an academic paper before it was even officially released.

The rest of the day passed in a blur of hypersteam, explosions, historical personages, and crafty (figurative) Easter eggs. Here’s the thing, though: DAWN’S EARLY LIGHT is a lot of fun. No question about that. But there’s a real emotional heart to the story as well. During the big, climactic scene…well, my eyes got misty.

That’s right. I’m not ashamed of my tears. Although I did try to be subtle about them—after all, the authors were right there. And I’m also not ashamed to admit that I just looked up that scene for reference and instantly felt like I’d been stabbed again.  

And for me, that’s the real strength of the Ministry of Peculiar Occurrences in general and DAWN’S EARLY LIGHT in particular. You care. You care about these characters and their world so damn much. I was nineteen when PHOENIX RISING came out, so while I haven’t grown up alongside Eliza and Wellington quite the same way I did with Harry Potter, I think that we have developed together—settling into our respective skins.

As the novel ended, I could almost hear the ominous chords, the rumble of oncoming thunder.

When the fourth book comes out, I’m not waiting. I’m diving into that box of ARCs the minute I see it.

-KT

Research Fu

Between interning for The Ministry of Peculiar Occurrences, dayjobbing, and writing my own pseudo-Victorian fantasy, I’ve been pulling out my research fu.

I smiled when Pip and Tee asked me to post Victoriana to the Ministry Facebook page. See, after working at Black Creek, writing the Victorian Dark Fantasy, and cramming my last few terms with nineteenth century history, I know where to find Victorian things.

The Internet Archive

Ah, www.archive.org, you are one of my best friends. Sometimes, I think I may even love you. The Internet Archive is a free-access digital library. Because it’s free, it mostly has materials which are long out of copyright.

That means it’s absolutely fantastic for primary sources.

Seriously, you can read whole books online. For free! Admittedly, it can be a bit persnickety with search terms: it’s best to either a) have a hugely wide net, or b) know exactly which title you want. And don’t even bother with the basic search if you’re doing historical research: advanced search is where it’s at.

The McCord Museum/Musée McCord

I’ve used the McCord Museum for the dayjob, the Victorian Dark Fantasy, and for the Ministry. It’s a very well-maintained site—there are all sorts of virtual tours and exhibitions to explore online.

They’ve got an extensive collection of Victoriana, much of which is easily accessed online. Really, it’s one of my main go-to’s for visual references—especially Victorian clothing. (I owe what little fashion vocabulary I have to the McCord Museum)

1810s dress, courtesy the McCord Museum/Musee McCord: http://www.mccord-museum.qc.ca/en/

1810s dress, courtesy the McCord Museum/Musee McCord: http://www.mccord-museum.qc.ca/en/

The Victorian Web

This venerable website (and yes, it does look it—just bear with it) is one of the oldest scholarly/academic sites out there. It has articles on a wide range of Victorian topics, including some really niche ones (stained glass and gaslight, anyone). Plus, it’s a bit like Wikipedia in that you can follow a trail of hyperlinks, drifting from topic to topic…only it’s not a site that anyone can edit, which helps me sleep at night.

Wikipedia

But come on, I was a university student in the 2010s. Of course I like Wikipedia.

Although I’ve heard the horror stories of profs purposely inserting false information to show how unreliable Wikipedia is, I maintain that it has its uses. First, it’s a good way to get a general overview of a new subject before diving into more detailed information, avoiding that grasping-at-straws feeling.

Second…Wikipedia is a good place to start your bibliography.

Let’s search…oh, let’s search Victorian Gothic.

***

Ignore the article itself and scroll down to “Further Reading” and “External Links.”

Aha! A ready-made list of scholarly websites and books! Gothic Revival; The Gothic Revival & American Church Architecture; An Episode in Taste, 1840–1856; Of knights and spires: Gothic revival in France and Germany; the Victoria and Albert Museum Style Guide…

It isn’t a full bibliography, but it’s a good place to start.

Public Library Databases

All history students know that articles take less time to read than books and usually have more specialized information. And thank goodness—you don’t need to be in university to access them!

Most public library websites have a section that says “Research” or “Articles” or something similar. If you’ve got a library card, you can click through until you get to the databases themselves: something like EBSCO or Gale Cengage or Academic OneFile.

Many will also have digital archives. I didn’t even sign into the Toronto Public Library site and found this 1912 picture of the dayjob’s Half Way House:

I credit my high school history teacher for a) getting me interested in history and b) teaching me how to get good at finding stuff. Yes, it’s great for writing—but also, it’s the thrill of the chase.

Which is why I sometimes get sucked down the black hole of Cool Victorian Stuff…but that’s a post for another day. 🙂

-KT

Internship of Awesome

First day back in Toronto after spending the last month interning with authors Pip Ballantine and Tee Morris! We recorded an episode of The Shared Desk (out on Feb 26th) which examines our time together, but I wanted to do my own post-mortem as well, because it was such an amazing, incredible, still-can’t-believe-it-happened experience.

Who are these people?

Philippa Ballantine and Tee Morris are fantasy authors. Currently, they’re co-writing The Ministry of Peculiar Occurrences series (think steampunk X-files, with more shenanigans), though they also write their own fantasy independently.

I stumbled across them through podcasting—they were some of the earliest podcast authors (in Tee’s case, the earliest), met them in person at Dragon Con, and the rest is history.

And so, this February…

As Pip so eloquently put it, we assumed a fair exchange of learning experience for practical help. I flew down to Virginia (completely forgetting about the trains connecting Dulles’s international terminals and arrivals hall until the last moment) and stayed with them for just over three weeks.

During that time, they taught me things—everything from cover design to book layout to video editing to How To Not Be A Jerk On Social Media. In return, I did things—laying out a novel and some short stories, editing short stories, maintaining the calendar, posting on the Ministry of Peculiar Occurrences Facebook page, and so forth.

The Awesome

Pip and Tee are awesome. Writing is awesome. Learning is awesome. Therefore, learning about writing with Pip and Tee is awesome.

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And Sebastian is AWESOME.

Considering that I was only there for twenty-four days, I learned an incredible amount. Not just about the business of writing or the mechanics of programs like InDesign and Final Cut—essentially, I learned how to Author. I know I have more to learn (and they keep saying they have more to teach), but I’ve got much more of a foundation, now. It’s a great complement to Stonecoast, which is all about the craft. Pip and Tee taught me everything else.

More Awesome

As well, I got to spend some quality time with some people very dear to my heart. Pip, Tee, and their daughter Sonic Boom gave me a home: literally and figuratively.

This is where I get emotional and the words start failing.

I admire them as authors. I admire them even more as people.

The Challenge

I wanted so badly to help. I wanted so, so badly to be useful.

And they assure me that I was. Self-critical KT is self-critical, but I do feel a twinge of pride as I leaf through the Weather Child proof. They did the really tricky stuff—but I did the grunt work. Same twinge of pride when I got second and third drafts back from Tales from the Archives authors, and my editorial suggestions worked.

Putting New Zealand fantasy on the map! Literally!

Putting New Zealand fantasy on the map! Literally!

What Next?

I’m still helping from Canada (if you have a podcast and would like Pip and Tee on your podcast, please email me at contact(at)ministryofpeculiaroccurrences(dot)com). This whole experience also lit a fire under me—I want to do all of the writing things ever right now this minute.

It’s the same fired-up feeling mixed with slight depression that you get after cons. On the one hand, I’m so excited. On the other…I miss them. So much.

But hey, concrete steps. Today I got another whiteboard, so now I have one for my projects and one for Interning Stuff. I made sure my papers and files are organized. I rejigged my own whiteboard, adding new projects and plots (including a goal to have a new post here every Saturday—regular blogging fell by the wayside, and now I’m reclaiming it for real).

As I tweeted earlier today…

InternTweet

That about sums it up.

But I want to see more!

Want to see what I did?

Then take a listen to Tales from the Archives.

Check out Pip’s novel, Weather Child.

Look at Tee’s Kickstarter campaign for another Billibub Baddings mystery and consider backing it.

Do spend some time with the Ministry (the third book, Dawn’s Early Light, comes out next month. I devoured the ARC in less than two days. Just saying…)

This one is mine. Get your own copy!

This one is mine. Get your own copy!

So, then…

This was incredible. Absolutely incredible. I loved every minute of it. Pip, Tee, Sonic Boom—thank you for everything, from the bottom of my heart.

Arohanui,

KT

Of Dead Laptops and Back-ups

So, my laptop died.

It was never quite the same after I mailed it home from New Zealand. For a while, I had one consistently good USB port, one which was dodgy, and one dead. Then the other day, I noticed that my laptop wasn’t charging…even though it was plugged in.

Unplugging, re-plugging, and all sorts of fiddling did nothing. To make matters even more fun (whee!), I’m currently in Virginia on a three-week interning spin with my dear friends Pip Ballantine and Tee Morris. So, a bit far from home.

Fortunately, Pip and Tee are wonderful people. They drove me to Best Buy and waited while the Geek Squad determined that they might be able to ship my laptop back to Canada, where Future Shop might be able to possibly replace the power port to maybe extend my laptop’s life another couple of weeks.

And then they patted my shoulder as I coughed up the money for a new laptop.

There is never a good time, but this could have been better (oh hai, MFA tuition). But the most striking part of this whole experience was transferring the files from the old machine to this new one. The issue wasn’t one of space (again, wonderful friends that Pip and Tee are, I had the use of all the external drives I could ask for).

No, the main issue was time. Once that battery goes, the old machine’s done.

(And yes, I know about pulling hard drives…but I’m in Virginia. I’m not sure how or if I can get the old laptop home.)

So it was like standing in a burning house, wondering, “What do I save? What do I grab first? What can I leave behind?” All the while knowing that every second of indecision brings you closer to that final shutdown.

It’s probably the historian in me, but I like having links to my own past. Detailed records, a personal archive that is there, even if I rarely dip into it. Maybe it’s a security thing, knowing that I can always reconstruct things if necessary.

Obviously, getting the writing to safety is always top priority when things get squirrelly, which is why I’m actually pretty good about backing things up.

Pictures and music vied for second place. A 2011 family trip to Costa Rica, the last we took before my dad died. My New Zealand photos. Even just images for Black Creek and this blog – more a matter of convenience and posterity, but still.

iTunes is fine, so I grabbed whatever extra stock music and sound effects I could. Luckily, I pulled the raw Hapax files ages ago (they were large and numerous), precisely because of this fear of, “What if I need to go back in one day?”

That’s a fear I face now, with the videos. I got the final cuts of all my Black Creek videos, but very little raw footage or sound files. I can’t see why I would ever need to rebuild those videos from scratch, but if ever someone asked, I probably couldn’t. That worries me, even though it’s completely irrational. Again, I blame my historian streak.

But at the end of the day, the important things are really the things that are me. The writing, the music, the photos. Most other things can be found again, edited again. Music is challenging to replace; writing and photos can be almost impossible.

Which is why I will give the customary “Back your stuff up” speech. When my laptop died, I already had the entirety of my fiction backed up elsewhere. I did go back for a few university essays, but the writing was safe.

Most of my photos are on Facebook (though there are always strays). I’ve used Google Drive more and more lately; it holds the music for the kids’ opera, the videos, and a few other random documents. I have my own intern Dropbox now.

It’s easier than ever to protect your data. Yes, emergencies happen. Yes, the unforeseen is…well, unforeseen. But if you can take any steps to mitigate potential disaster (knowing it’s not always possible)…then please, save yourself the heartache later.

Here are some photos that I would have been sad to lose.

KT

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Dad tanned. I do not.

Arriving at the Dunedin flat. Too mundane for Facebook, but it brings me right back.

Arriving at the Dunedin flat. Too mundane for Facebook, but it brings me right back.

I like the perspectives no visitors see.

I like the perspectives no visitors see.

I do like the furballs...

And I do love the furballs…

Dragon Con Round-Up: 2013 Edition

Dragon Con felt subdued this year. Not that it was small; I swear there are more people every time, and this year I actually needed 30 minutes to travel between panels. Nevertheless, a lot of faces were missing. Don’t get me wrong, I had fun, but it was a different convention than last year’s.

The Marriott on Saturday night.

The Marriott on Saturday night.

Now, the fun stuff: what did I do for three days? (Yep, I skipped out early Monday morning; Tuesdays at cons are too depressing for me.)

I chatted with editor Gabrielle Harbowy about Strix and saw a very early mock-up for a potential cover (spoiler: I love it…which means I should possibly get this darn thing finished). I wandered the dealers’ room and finally met Thomas and Sarah of Brute Force Studios. I went to some panels and readings, where I met Suzanne Church and caught up with Rob Sawyer. I wrote. In a happy twist of fate, I discovered that the Hyatt was screening a 24h/day Doctor Who marathon all weekend long, which gave me a place to retreat when I needed to recover but still wanted to feel like I was participating in the convention.

The Hyatt turned out well - most of my panels were there and I moved like a mole through its subterranean levels.

The Hyatt turned out well – most of my panels were there and I moved like a mole through its subterranean levels.

Several of my friends had exciting things happen: Mur Lafferty won the John W. Campbell Award for Best New Writer (i.e. the Hugo that is not a Hugo). I can’t think of anyone more deserving, and I’m absolutely thrilled for her. Pip Ballantine and Tee Morris picked up another Parsec for Tales from the Archives. Again: so very proud.

Also, Sylvester McCoy, better known as the seventh Doctor, presented at the Parsecs. He pwned the ceremony. He needs to get his own podcast which I will then listen to obsessively, because he was brilliant…though I’m sensing a trend towards very short acceptance speeches next year!

"Doctor WHO?" After that presentation, I'm going with "Doctor Awesome."

“Doctor WHO?” After that presentation, I’m going with “Doctor Awesome.”

And that was about it, really. The post-con haze is settling upon me, and I’m very cognizant of the fact that I now have to work for eight days straight while juggling three different writing projects and starting Strix-the-Podcast.

So, you know, a typical month coming up. 😉

KT